Roland FR-8X V-Accordion

With the incredible new FR-8x, Roland has perfected the synergy between traditional accordion playability and modern digital power.

New Fender Standard Series Plus Top Stratocaster Models!

Everything you love about Standard Series Strats but with the added elegance of a flame maple top!

TC Electronic's Ditto Looper Comes Alive!

Ditto Looper was designed from the ground up with guitarists in mind

Zero Percent Event at L.A. Music!

L.A. Music is excited to announce ZERO PERCENT hassle free financing for 6 or 12 months upon credit approval. Call today for more details. Apply in-store or online. Hurry, offer ends May 31st, 2013. Some exclusions may apply. Offer is subject to credit approval.

Gibson Les Paul Custom Lite Electric Guitar Ebony

The Classic Les Paul with a slimmer more comfortable design.

Showing posts with label innovation. Show all posts
Showing posts with label innovation. Show all posts

Wednesday, January 30, 2013

Electro-Voice Launches New ZLX Portable Powered Loudspeakers

Highlights:
  •  The next generation of portable powered loudspeakers from EV
  •  New EV industrial design
  •  Legendary EV sound quality and eliability
  •  Great price point
  • Single Knob DSP Control with LCD display and application/location presets
EV set out a single goal with the new ZLX: to deliver a high class performance.  ZLX combines EV's decades of proven engineering experience with a bold new look.  It includes user-friendly features that gives it's users an extraordinary amount of control over their sound.

Available in 12- and 15-inch two-way versions and ideal for use as either mains or monitors, ZLX represents the new standard for musicians, DJs, and all performers looking for more from a portable powered loudspeaker.

Key Features:

  • EV-engineered components matched with a 1000-W Class-D amplifier for best-in-class sound
  • Single-knob DSP control with LCD display and application/location presets – optimize loudspeaker performance to suit your style and space
  • Input level meters and independent amplifier control – ensure optimal gain structure in seconds
  • Lightweight, super-durable composite construction with unique hi/lo grip design for effortless pole mounting and portability
  • Patented split-baffle design for superior driver time alignment – enhanced sonic impact and intelligibility
  • Stunning enclosure design
ZLX will be available in April 2013.
Click here for more info!

Saturday, January 26, 2013

Marshall Launches the New SL-5 Slash Signature Model!


The SL-5C is an all valve 5 watt amplifier incorporating various features, but above all else, it includes that unique Slash tone.  Marshall Amplification worked closely with Slash himself after the success of the AFD100.  The SL-5C is an accessible amplifier that is ideal for home or studio use.

The SL-5C has two channels, Clean and Overdrive.  A single volume control for the clean takes you from the authentic Slash clean sound to the Marshall crunch.  The Overdrive channel, consisting of volume and gain, nails the AFD style and tone.  Both of the channels have been approved by Slash.

A master EQ section of Bass, Middle, Treble and Presence is included, as well as high quality custom voiced digital reverb. 

-2 Custom Voiced footswitchable Channels - Clean & Overdrive (footswitch included)
-Green / Red Channel Status LED's
-Full EQ Section
-Presence Control
-Digital Reverb (footswitchable)
-High/Low Sensitivity Inputs
-Celestioon Vintage 30 Speaker
- Dual Output - 5 watts or 1 watt
-8 & 16 Ohm speaker outputs
-Front panel includes Slash signature and fonts


Friday, January 25, 2013

New from NAMM 2013: Korg announces Kaoss Pad KP3+

The Kaoss Pad series of effects units is famed for its intuitive touch-pad interface. The flagship model KP3 that appeared in 2006 continues to be highly acclaimed by musicians and DJs around the world for its powerful, instantaneous effect programs and its wealth of sampling functionality.
The sounds that drive the dance and EDM music movements, and the effects used to create them, have evolved significantly over these past seven years. Enter the KP3+. Based on the KP3, the effects combinations that have become a staple in numerous genres and applications have been taken to a new and cutting-edge level. The KP3+ is a complete update for an effects unit that will generate the sounds of 2013 and beyond.

Highlights:

  • Use the touchpad to control effects in real time
  • A total of 150 effects ideal for DJ mixing and sound design;42 new types including:
  • Vinyl Break simulates a turntable
  • Ducking Compressor emphasizes the backbeats
  • Newly-designed Looper lets you freely manipulate loops
  • Effects you can use for breaks in your DJ play
  • High-spec sampling functionality
  • Numerous functions to make your performance even more expressive
  • FX Release function controls the reverberation to produce a more natural decay
  • Mute function cuts the input signal and outputs only the effect sound
  • Pad Motion function records and reproduces your effect usage
  • Practical functions that are easy to use during live performance or production
  • Eight program memories let you switch effects instantly
  • Hold function sustains the effect sound
  • Set the tempo with auto BPM, tap tempo, or the BPM knob
  • Pad LEDs ensure high visibility even in the dark
  • Highly expandable for even greater potential
  • USB MIDI allows for use as a powerful MIDI controller
  • Store sample data on an SD/SDHC card
  • Dedicated editor software for centralized management of sample data and settings

Use the touchpad to control effects in real time.

The intuitive design and amazing flexibility of the touchpad allows Kaoss Pad 3+ users to easily control multiple effects and parameters by simply stroking, tapping, or rubbing the Kaoss touch pad with their finger. Using this remarkable design, you can easily control effects in complex ways that would be impossible on a conventional effect unit.

A total of 150 effects ideal for remixing, DJ and live music applications, and in-studio use.

The KP3+ provides new effect programs that are worthy of its status as the flagship model of the Kaoss Pad series. The KP3+ contains a total of 150 programs - 22 more than the KP3.
In addition to the 108 effects carried over from the KP3, which include filters, spatial-type effects such as delay and reverb, a grain shifter that freezes tiny pieces of sound and repeats them, and a vocoder, there are 42 new or improved effects that represent today's dance music scene, including effects that were newly developed for the Kaoss Pad Quad, such as the Looper, Vinyl Break, and Ducking Compressor.

Vinyl Break simulates a turntable

It's easy to obtain the scratch sound that's heard when you scratch a turntable, or use a record-stop effect. In addition to the basic Mod.1 Vinyl Break, the KP3+ also provides the new Mod.2 Break Reverb which adds reverb to the effect, and the LoP.2 Break Looper and LoP.8 Loop Breaker effects which combine the effect with a Looper.

Ducking Compressor emphasizes the backbeats

You can use a side-chain effect to emphasize the backbeats of the kick. In addition to Mod.8 Ducking Compressor, there's a new rEV.1 Pump Reverb that adds a reverb effect. You can add a sense of "breathing" to your music by dynamically varying the reverberation in synchronization with the BPM.

Newly-designed Looper lets you freely manipulate loops

For greater usability, the Looper effect has been modified to let you loop the sound starting from the instant you touch the touchpad. The existing programs have been significantly updated; for example, if you move your finger to change the number of beats in the loop, the timing of that change will automatically be quantized. There are also many new programs such as LoP.4 Freeze Looper, LoP.6 Shuttle Looper, and the LoP.7 Slice Looper that finely slices a phrase and loops the location that you choose.

Effects for breaks and drops

New effects include dLY.2 Echo Break and rEV.3 Reverb Break, which mute the input sound and generate delay or reverb. These are ideal ways to create breaks in your DJ play.
We've also enhanced the synth sound effects that are effective when used during a break, bringing them up to date for the evolving dance music scene. Newly added sounds include Syn.3 Pump Noise (noise without resonance, processed by a side-chain effect) as well as Syn.4 Lofi Synth and Syn.9 Resonator.
Other added effects include FL.16 Center Canceler for partial vocal cancellation, LFO.1 Jag Filter which uses a non-resonant filter to chop the sound, dLY.5 One Delay which shines on styles such as hip-hop, and Grn.6 Stutter Grain which alternately applies a grain shifter and a Looper. We completely rethought the X-axis and Y-axis parameter assignments and their polarity, and included flashy and glittering synth sounds as well as many more effects that will enhance the latest sounds of today's scene.

Intuitive sampling functionality

The KP3+ features enhanced sampling functionality that lets you perform using multiple effects and samples. Each of the four sample banks can record a sample up to 13 seconds long (*1), and play it either as a one-shot or loop. The KP3+ also has functions such as a start point adjustment that lets you create a half-beat shift to create "doubled" effects, a new slice function that edits the structure of a loop sample to instantly create completely new phrases, and a resampling function that lets you apply an effect to a sample and then re-sample the result.
Samples can be triggered in four different ways as appropriate for your situation. The volume of each sample bank can also be adjusted by the LEVEL slider or the touchpad, either together or individually.
*1: The number of seconds of sampling will depend on the BPM of the audio input and on the sampling settings.

Functions for greater expressive power: FX Release, Mute, Pad Motion

The FX Release function automatically adds a delay to smoothly blend the effect when you release the touchpad. The Mute function cuts the input sound, leaving only the reverb or other effect sound, and can also be used as a "transformer" by turning it rapidly on and off. Pad Motion lets you record and play back the movements of your finger on the touchpad.

Practical functions: Program Memory, Hold, Pad LED

There are eight program memories that let you instantly select your favorite effect programs, and a Hold effect that sustains the effect even after you release your finger from the touchpad.
The pad LEDs illuminate along the path that's traced by your finger, letting you perform without difficulty even in a dimly lit DJ booth. We've modified the way that the four sampling bank LEDs illuminate to make them more intuitively understandable than on the KP3; they now light up red during recording and green during playback.

Highly expandable: USB MIDI, SD/SDHC card support, and dedicated editor software

With MIDI IN/OUT jacks and a USB port, it's easy to control external MIDI devices. Loop data and user settings such as programs can be stored on an SD/SDHC card. The KP3+ Editor* is also available, which provides sample data librarian functionality as well as a MIDI assignment editor.
* Runs on Microsoft Windows XP (SP3 or later) / Vista (SP2 or later) / 7 (SP1 or later) / 8, and on Mac OS X 10.5 or later.

New from NAMM 2013: Korg Kasossilator Pro + Unveiled!

The Kaossilator series was the forerunner of unique instruments that made it easy for anyone to play musical melodies and phrases. The KAOSSILATOR PRO, which appeared in 2010, was an updated model featuring a rich variety of sounds and loop recording functionality that made it not merely a live performance instrument, but also a track-making tool.
2013 brings us to the upgraded The KAOSSILATOR PRO+. With additional new sound programs and drum sounds The KAOSSILATOR PRO+ has been supercharged to offer even more variety and exploration.

Highlights:

  • Freely playable synthesizer; simply touch the touchpad to play notes and manipulate sounds in real time
  • A total of 250 sound programs (including drum program) cover a wide range of styles, including 62 new programs
  • Loop Recording function allows intuitive performance and recording, and 4 infinitely stackable loop banks are available
  • Numerous functions for unlimited performance possibilities
  • Scale/Key settings make it easy for anyone to perform with no wrong notes
  • Note Range function lets you specify the horizontal pitch range of the touchpad
  • Gate Arpeggiator function allows you to easily control phrases with the slider
  • Pad LEDs ensure excellent visibility even in the dark
  • USB MIDI allows use as a powerful MIDI controller
  • Store recorded loop data and even externally –made .WAV files on an SD/SDHC card
  • Dedicated editor software for centralized management of sample data and settings
  • Compatible with the Kaossilator 2

A Freely Playable Synthesizer

The unique interface allows musical melodies and phrases to be played with ease by simply stroking, tapping, or rubbing the touchpad. Horizontal motions control the pitch; vertical motions control aspects of the tone, such as filter cutoff, feedback, or modulation depth.
The intuitive design and flexibility of the touchpad allows users who are not keyboard players to perform easily. Users can create performances that are rich with tonal changes that could not be produced on a conventional keyboard instrument.

A total of 250 sound programs

The KAOSSILATOR PRO+ is packed with the cutting-edge synth sounds that you have come to expect from Korg. There are 50 additional programs in the KAOSSILATOR PRO+, bringing the total program count to 250
62 of these sounds are drawn directly from current musical genres, including familiar and extremely useful leads, and synth basses, along with sound effects for DJ use. Of particular note are the 26 drum sounds that have been especially enhanced. Updated drum PCM includes sounds from the acclaimed Wavedrum percussion synth for even greater performance variety.
With just a single KAOSSILATOR PRO+ you can perform hip-hop, chiptune, house, dubstep, new disco, electro, reggaeton, drum 'n' bass, plus international styles such as rock and bossa nova. or create your own genre!

Loop Recording function allows intuitive performance and track making

Loop Recording can be set for up to four measures (16 beats.) Performances on the KAOSSILATOR PRO+ can be recorded into any of the four onboard internal Loop Recorder Banks. By adding (overdubbing) additional sounds one at a time, you can create amazing looped phrases that range from minimal to fully orchestrated. The four banks can be combined for virtually infinite performance possibilities. Each of the four loop banks can be muted or un-muted, its volume adjusted, and its loop length changed, making live performance easy for anyone.
The KAOSSILATOR PRO+ provides line inputs and a mic input to allow for the recording of external audio sources as well. This makes it easy to add a vocal, or audio from any external device to any loop phrase created on the KAOSSILATOR PRO+.

Unlimited performance possibilities

Musical Scale, Key, and Note Range help create musical performances
Even if you've never played a musical instrument, the KAOSSILATOR PRO+'s Key and Scale features ensure that the notes being played will match the song being performed. Use the Key setting to specify the musical key or "root." Choose any of 35 scales, ranging from popular scales such as chromatic, major pentatonic, and minor blues, as well as unusual scales such as Spanish, Ryukyu, and Raga. By using both the Key and Scale settings to match the song, you can play perfect solos without a single wrong note. In addition, the Note Range allows you to specify the range of playable pitches. You can set this to a narrow range to ensure that melodies will be played accurately as you intend, or to an extremely wide range to allow unexpectedly dynamic and unconventional phrases to emerge.

The Gate Arpeggiator function lets you control phrases with complete freedom.

The built-in gate arpeggiator patterns can automatically generate phrases and beats by simply moving a finger across the touchpad. Use the slider to change the gate time and gate speed in real time for cool performances.

Pad LEDs ensure excellent visibility even in the dark.

The pad LEDs light up along the path of your finger, letting you play without difficulty even on a dimly lit stage. The four loop recording LEDs have been changed to a more intuitively obvious illumination pattern than on the Kaossilator Pro, and now light red during recording and green during playback.

Highly expandable: USB MIDI, SD/SDHC card support, and dedicated editor software

With MIDI IN/OUT jacks and a USB port, it's easy to control external MIDI devices. Loop data and user settings such as programs can be stored on an SD/SDHC card. There's also the KAOSSILATOR PRO+ Editor* which provides librarian functionality for your loop data as well as a MIDI assignment editor.
* Runs on Microsoft Windows XP (SP3 or later) / Vista (SP2 or later) / 7 (SP1 or later) / 8, and on Mac OS X 10.5 or later.
*This will be available for download free of charge from the Korg website.

Plays nicely together with Kaossilator 2

Data you recorded on the KAOSSILATOR PRO+ can be exported for use with the Kaossilator 2, and data recorded on the Kaossilator 2 can be loaded by the KAOSSILATOR PRO+, sharing the BPM and other settings. The possibilities are endless; sophisticated performance data from the KAOSSILATOR PRO+ can be loaded into the Kaossilator 2 and taken with you, or Kaossilator 2 performance data you recorded elsewhere can be brought back for use on the KAOSSILATOR PRO+.

New from NAMM 2013: Korg MS-20 Mini


Korg's MS-20 monophonic synthesizer, first introduced in 1978, is still a coveted instrument to this day, thanks to its thick, robust sound, its powerful, iconic analog filter, and its versatile patching options. Over 300,000 people have enjoyed the distinct MS-20 sounds from the original, from Korg's MS-20 plug-in synth, and the iMS-20 iPad app.
Today, the sounds of the MS-20 have been reborn as the MS-20 Mini. The same engineers who developed the original MS-20 have perfectly reproduced its circuitry and fitted it into a body that's been shrunk to 86% of the original size, yet retains the distinctive look of the original that remains unfaded despite the passage of time.
The MS-20 mini will amaze you with its absolutely authentic analog synth sound.

Highlights:

  • Overseen by the engineers of the original MS-20; a complete replication of the original analog circuitry:
  • 2VCO / 2VCA / 2VCF / 2EG / 1LFO structure
  • Self-oscillating high-pass/low-pass filters with distinctive distortion
  • External signal processor (ESP)
  • Extremely flexible patching system
  • Faithful recreation of the MS20 at 86% of the size
  • MIDI IN and USB connector
  • Replicates every detail of the original, down to the package binding and the included manual

A complete replication of the original analog circuitry

The MS-20 mini painstakingly replicates the original MS-20. A development team led by the original engineers themselves worked to recreate the original circuitry, and when it was necessary to substitute a part, these engineers made the decisions based on careful listening, in order to reproduce the original sound faithfully.
In fact, the sound of the MS-20 mini has a somewhat bright and extreme quality to it because its sound is that of an original MS-20 in mint condition at the time it went on sale, before any of the components aged.

2VCO / 2VCF / 2VCA / 2EG / 1LFO structure

The MS-20 mini reproduces the distinctive synthesis of the MS-20; two oscillators with ring modulation, and envelope generators with hold and delay. The VCA maintains the basic design of the original, but it's been modified to produce less noise than the original.

Self-oscillating high-pass/low-pass filters with distinctive distortion

One of the greatest characteristics of the MS-20 was its powerful filters, which provided resonance on both the high-pass and the low-pass. Maximizing the resonance would cause the filter to self-oscillate like an oscillator, producing a distinctive and dramatic tonal change that was acclaimed as inimitable, and was later used on the monotron and monotribe. The filter circuit was changed mid-way through the production lifecycle of the MS-20; the MS-20 mini uses the earlier filter, which was felt to be superior due to its more radical sound.

External signal processor (ESP) for processing an external signal

The ESP carries on the experimental spirit of MS-20; it allows you to use the pitch or volume of an external audio source to control the synthesizer. For example you can input an electric guitar and use the MS-20 mini as a guitar synthesizer, or input a mic and use it as a vocal synthesizer.

Extremely flexible patching system

The patching system provided to the right of the panel lets you create complex sounds by plugging-in cables to change the connections between the various units. The possibilities are limited only by the user's imagination; different combinations of the modulation input/output and trigger, sample and hold, and noise generator can produce an incredible variety of sounds. By patching according to the MS-20 flow chart that's printed on the panel, even the beginner can start taking advantage of these possibilities right away.

Faithful recreation of the MS20 at 86% of the size

MS-20's design concept started by borrowing from the vertical layout found on larger and more expensive modular synths of its time, and then creating a more portable, inexpensive, and easier to use version.
To make it even more approachable, the MS-20 mini has been shrunk to 86% of the size of the original MS-20. In spite of its smaller size, meticulous care has been taken to accurately reproduce the knob design and the printing. The patch cables have been changed from 1/4" phone plugs to mini-plugs, and the newly-designed keyboard is also 86% of the original size.

Replicates every detail of the original

Our effort to remain faithful to the original is not limited to the unit itself. Even the package that contains the unit replicates the original as far as possible. Also included are the original MS-20 owner's manual and settings chart, explaining how to create sounds. Now you can experience the excitement of the MS20, just like it was during its original release in 1978.

MIDI IN connector and USB connector

The MS-20 mini provides a MIDI IN jack for receiving note messages, and a USB-MIDI connector that can transmit and receive note messages. You can even connect the MS20 mini to your computer and play it from a sequencer.

EVH Releases New Stripe Series Guitars!



The new EVH Stripe Series guitars feature a Basswood Stratocaster-style body with EVH stripes in three finishes: red with black stripes, black with yellow stripes and white with black stripes. There’s a graphite-reinforced maple neck with a hand-rubbed oil finish and thumbwheel truss rod adjustment, compound-radius maple fingerboard (12”-16”) with 22 jumbo frets and black dot inlays, and a direct-mount Wolfgang® humbucking pickup.
Other features include a single white volume control knob (labeled “tone” which is a classic Eddie-ism), single-ply black pickguard (white with black stripes model only), bar string retainer and Floyd Rose® locking nut, EVH-branded Floyd Rose® locking tremolo with EVH D-Tuna®, EVH die-cast tuners, chrome hardware, vintage-style strap buttons and EVH neck plate.

Wednesday, January 23, 2013

New from NAMM 2013: Roland's Keyboard Releases


Made for the gigging musician, the Roland RD-64 is a portable 64-note digital piano equipped with the Ivory Feel-G keyboard and SuperNATURAL Piano sound engine. Offering the weighted-action playability and superior sound quality of  Roland’s 88-note stage pianos in a much lighter and more compact instrument, the RD-64 is perfect for gigging, mobile composing, project studios and more.

The streamlined, lightweight design of the Roland RD-64 Digital Piano makes it easy to transport in small vehicles, takes up less space on crowded stages, and is perfect for use in home studios and school applications where space is at a premium. 
Onboard effects include a high-quality stereo reverb, plus EFX 1 and EFX 2 processors loaded with effects specifically tailored for the built-in sounds. Also included is a two-band EQ for overall sound shaping, with easy adjustment via two dedicated knobs. Stereo RCA inputs allow the user to connect an external music player for live backing tracks and practicing.

Roland V-Combo VR-09 Mobile Keyboard



The Roland V-Combo VR-09 Mobile Keyboard was designed from the ground up with live players in mind. A built-in looper lets users build rich ensemble tracks on the fly with the instrument’s large selection of sounds, including the newly added transistor-type organ which offers the unique sound of combo instruments from the 1960s. WAV, MP3, and SMF songs can be played directly from optional USB flash memory for a full-band sound while performing solo or in small combos.  Seven different effects are available simultaneously, with dedicated knobs that allow users to tweak multiple parameters with a single twist.
The free VR-09 Editor app for iPad provides powerful control of the organ and synth sound engines via the tablet’s full-color touchscreen interface. iPad users can intuitively edit the V-Combo VR-09’s organ and synth sounds at home with the VR-09 Editor, then take the tablet to the gig and use the app for additional real-time control on stage.

CLICK HERE FOR MORE INFO!